Auer investigates the toilet signs at the Kunsthaus, challenging tradi-tional gender images and divisions with her artistic, interventionist commentaries.
Club Hybrid is an open demonstration building that will be a place for experimenting, exhibiting and discourse for a fortnight in the summer of 2021.
As a resistance to stereotypes and racism, Maryam Mohammadi produced a series of self-portraits showing herself on a contradictory path to blonde and blue-eyed conformity.
Mit dem Skizzenstift bauen sich von Menschen gestaltete Szenen im Wald auf. Kurz aufblitzende Fotos überblenden, um gleich darauf zu zerbrechen.
Hannes Priesch has created new insignia for the Kunsthaus, bearing a message of polyphony. Extremely carefully crafted, the wind machine banners appear almost as the guardian figures of a distant future. Diverse and ambiguous, they point the way forward – towards a plurality of futures.
Elke Auer combines sculptural and performative elements with language, drawing and painting. Her work addresses the constructed nature of gender identities and seeks to break down hierarchising, normative attributions.
Samson Ogiamien’s work is a meeting between Beninese bronze art, which has its roots in spiritual, ritual contexts, and Western modern sculptural traditions.
For over 20 years now, ‘gentle viticulture’ has been practised south of Gamlitz – no fertilisation, low maintenance measures, minimal plant protection.
A new farm shop with a café at the central market place, a farm offering demonstrations and a fun experience, a research centre and an innovation centre for organic agriculture form the five cornerstones of the new centre together with the school.