Total Refusal takes the video game Red Dead Redemption 2, played millions of times, as the basis for a reflection on the capitalist concept of labour.

An old condom vending machine has been refilled by the Graz-based collective RISOGRAD. Three different packages contain a chronology of feminist activities in Austria, a manifesto collection and an activism packet, practising feminist social criticism.

The steel trusses that fit so well into the architecture of the Kunsthaus have had a previous life.

Angelika Loderer presents a collection of unusual eggs: rejects that have no place in our standardised food industry.

The Blue Frog Society is the fictional vision of a future society. Our habitat is no longer shaped by (spatial) property claims, but by communal, non-material values that arise from an open-ended negotiation process and which are based on a broad understanding of commons.

The International Village Shop (IVS) is a network of rural places where forms of production and trade are tested.

Erstmals als nachdenkliche Werbebotschaften vom Künstler selbst durch den Stadtraum getragen, verweisen die Botschaften zum Wert von Arbeit oder Kultur auf Abhängigkeiten von Ökonomie, Status und Aufmerksamkeit.

In order to raise awareness of this state of affairs, the artist Adina Camhy designed posters that call for more appreciation of care work. NO MORE BITTER PILLS continues her project. The posters were shown in the exhibition HILFSLINIEN - Linije pomoči in the Pavelhaus – Pavlova hiša, but were also distributed in public space.