Eisenberger combines classical subjects of art history, ‘vanitas’ motifs that remind us of the ephemerality of existence, with elements from popular culture.

Targets are constructs made from telescopic antennas and golf balls placed in various positions in the Kunsthaus – on the ceiling, walls and floors.

All that remains of Christian Eisenberger’s artistic interventions in nature are photographs.

Anna Vasof’s works invite us to discover the absurd world theatre behind the wishes and desires of everyday life.

The title Haus im Grünen – house in green surroundings – is a reference to property market advertisements.

Animals hunted in the city are cooked, self-made window barricades and long-serving radios protect against threatening weather and marauding urban hunters.

First installed in 2010 for the exhibition Mehrwert (added value) in front of the church in Quartier Leech, the fictitious construction sign marked the public garden with fruit trees next to the church as the building site of a spectacular architecture.

An important theme in studio ASYNCHROME’s work is democratic participation.