The photogram depicts a tensioned load securing net made of synthetic material on a scale of 1:1.
The design of these signs is based on the system of isotypes (Interna-tional System of Typographic Picture Education). This was developed in 1925 by Otto Neurath who, as a Jew, fled from Vienna in 1934.
Food waste produced in a kitchen is chopped up and converted into biogas in a fermenter – the glass ‘stomach’ of the Kitchen-Cow.
Anita Fuchs has rented a meadow on the border between Austria and Slovenia. For months now, she has been working there out of her FIELD STATION – a shiny cube that looks like a minimalist sculpture.
As a medium between two-dimensionality and three-dimensionality, the photogram has been part of Kupelwieser’s diverse œuvre from the 1980s until today.
For over 20 years now, ‘gentle viticulture’ has been practised south of Gamlitz – no fertilisation, low maintenance measures, minimal plant protection.
For a roof of approximately 100 m² over a studio space in Schloss Seehof in Lunz am See, 130 different 3D-printed concrete recess formers were digitally planned, produced automatically and installed by hand.
From the 1970s on, Lois Weinberger explored the interdependence of nature and society. He worked on a poetic and political network that directs the focus onto marginal zones and calls into question hierar-chies of various kinds.
In den zwei Forschungsprojekten WoodC.A.R. und CARpenTiER werden die Grundlagen für den Einsatz von Holz in Strukturkomponenten im Fahrzeugbau entwickelt.