This slender cross-profile column made of beech veneer is a striking example of the effectiveness of wood as a construction material.

Konrad Frey created a prototype in Hart near Graz for the development of a low-cost prefabricated house with ‘loft quality’.

The Burschenschaft Hysteria is an association and a feminist project that satirically adopts and adapts the rituals and modes of speaking found in traditional male student fraternities.

Auer investigates the toilet signs at the Kunsthaus, challenging tradi-tional gender images and divisions with her artistic, interventionist commentaries.

For a roof of approximately 100 m² over a studio space in Schloss Seehof in Lunz am See, 130 different 3D-printed concrete recess formers were digitally planned, produced automatically and installed by hand.

Whenever we hear or read about spatial planning, it is often in connection with problems: dying town centres, urban sprawl, the new shopping centre at the entrance to a town.

G.R.A.M.’s film borrows from Charlie Chaplin’s Kid Auto Races at Venice from 1914.

This deconstructed furniture was designed by artist, restorer and exhibition designer Erika Thümmel. Positioned in the exhibition and discourse area of Space04, the furniture encourages visitors to pause for a moment.