Viktoria Zink draws selected organisms, in this instance found in a near-natural beech forest.

The experimental architectural study The Living Arch combines biology, technology and design in the quest for healthy and comfort-able spaces.

Auer investigates the toilet signs at the Kunsthaus, challenging tradi-tional gender images and divisions with her artistic, interventionist commentaries.

It is no secret that our affluent society is also a throw-away society: plastic waste is accumulating in the oceans, electronic waste ends up as an environmental problem in the global south.

Whenever we hear or read about spatial planning, it is often in connection with problems: dying town centres, urban sprawl, the new shopping centre at the entrance to a town.

The ‘Urban Camping’ of the identity-building Rostfest festival and the Alpin Resort are proof of the strategy’s success, as is the Nordic Education Center (NAZ) and the ‘Forschungszentrum am Berg’ research site.

The panelling of disused ÖBB wagons comes from materialnomaden.

Building rubble and fragments of sculpture cover the floor in Martin Roth’s sound and space installation. A posthuman landscape of ruin – yet solitary pioneer plants are reclaiming the signs of humankind’s exploitation and destructive power.