The photogram depicts a tensioned load securing net made of synthetic material on a scale of 1:1.
As a medium between two-dimensionality and three-dimensionality, the photogram has been part of Kupelwieser’s diverse œuvre from the 1980s until today.
In den zwei Forschungsprojekten WoodC.A.R. und CARpenTiER werden die Grundlagen für den Einsatz von Holz in Strukturkomponenten im Fahrzeugbau entwickelt.
Under the title Foundation Requirements, Dejanoff, in his role as a contemporary artist, explores traditional building methods and materials such as wood, stone and clay as they were found in his houses or still exist in fragments.
Building rubble and fragments of sculpture cover the floor in Martin Roth’s sound and space installation. A posthuman landscape of ruin – yet solitary pioneer plants are reclaiming the signs of humankind’s exploitation and destructive power.
Das transdisziplinär arbeitende Kollektiv entwickelt eine unkonventionelle Kühlung, die klimapositives Denken in die Tat umsetzt. Rund 14° kaltes Wasser aus der Grundwasserzisterne unter dem Kunsthaus wird nach oben gepumpt und läuft durch einen Kühlkörper aus dünnen Kupferrohren.
Gaisbacher spent several weeks in Stanz reflecting from an artistic perspective on a successful participation project initiated in 2016 as part of a local revitalisation.
Auer investigates the toilet signs at the Kunsthaus, challenging tradi-tional gender images and divisions with her artistic, interventionist commentaries.
From the 1970s on, Lois Weinberger explored the interdependence of nature and society. He worked on a poetic and political network that directs the focus onto marginal zones and calls into question hierar-chies of various kinds.