Anita Fuchs has rented a meadow on the border between Austria and Slovenia. For months now, she has been working there out of her FIELD STATION – a shiny cube that looks like a minimalist sculpture.

Building rubble and fragments of sculpture cover the floor in Martin Roth’s sound and space installation. A posthuman landscape of ruin – yet solitary pioneer plants are reclaiming the signs of humankind’s exploitation and destructive power.

Beyond purely technological research, move2zero is developing a holistic concept for the complete decarbonisation of the urban bus system in Graz.

By the year 2050 there will only be a few cars left on the streets of Graz, permanently transforming the cityscape.

Gaisbacher spent several weeks in Stanz reflecting from an artistic perspective on a successful participation project initiated in 2016 as part of a local revitalisation.

As a medium between two-dimensionality and three-dimensionality, the photogram has been part of Kupelwieser’s diverse œuvre from the 1980s until today.

First installed in 2010 for the exhibition Mehrwert (added value) in front of the church in Quartier Leech, the fictitious construction sign marked the public garden with fruit trees next to the church as the building site of a spectacular architecture.

The photogram depicts a tensioned load securing net made of synthetic material on a scale of 1:1.