Auer investigates the toilet signs at the Kunsthaus, challenging tradi-tional gender images and divisions with her artistic, interventionist commentaries.
SoLaKo is a collective of four farms, an apiary and an association of ‘harvest sharers’ who want to further develop the idea of solidarity.
As a resistance to stereotypes and racism, Maryam Mohammadi produced a series of self-portraits showing herself on a contradictory path to blonde and blue-eyed conformity.
Hannes Priesch has created new insignia for the Kunsthaus, bearing a message of polyphony. Extremely carefully crafted, the wind machine banners appear almost as the guardian figures of a distant future. Diverse and ambiguous, they point the way forward – towards a plurality of futures.
As a medium between two-dimensionality and three-dimensionality, the photogram has been part of Kupelwieser’s diverse œuvre from the 1980s until today.
Offener Betrieb (Open Modes) – and before that Probebetrieb (Trial Mode) – took the idea of a collective, dehierarchised, collaborative and open educational situation as their starting point.
Flea markets, table-tennis rounds, dancing among the plants, knitting, gardening without a garden of your own ... the long, colourful list of socio-cultural activities in the ANNENViERTEL district since 2014 could go on and on.
Schule im Aufbruch is an international initiative in German-speaking countries that advocates holistic and transformative education. It was founded to promote ‘education as the development of potential’.
Megaphon is the Styrian street magazine. It reports on cultural events, social initiatives and the lives of people on the fringes of society.