In order to raise awareness of this state of affairs, the artist Adina Camhy designed posters that call for more appreciation of care work. NO MORE BITTER PILLS continues her project. The posters were shown in the exhibition HILFSLINIEN - Linije pomoči in the Pavelhaus – Pavlova hiša, but were also distributed in public space.

As a medium between two-dimensionality and three-dimensionality, the photogram has been part of Kupelwieser’s diverse œuvre from the 1980s until today.

‘We are not blocking traffic – we ARE traffic!’ is the motto of the Critical Mass participants who ride through the streets of Graz on the last Friday of every month, colourful and loud, with joy and self-confidence, celebrating the most beautiful form of transport in the world.

G.R.A.M.’s film borrows from Charlie Chaplin’s Kid Auto Races at Venice from 1914.

SoLaKo is a collective of four farms, an apiary and an association of ‘harvest sharers’ who want to further develop the idea of solidarity.

This portrait series by Maryam Mohammadi and Joachim Hainzl was produced in collaboration with the women depicted.

Samson Ogiamien’s work is a meeting between Beninese bronze art, which has its roots in spiritual, ritual contexts, and Western modern sculptural traditions.

The photogram depicts a tensioned load securing net made of synthetic material on a scale of 1:1.