Auer investigates the toilet signs at the Kunsthaus, challenging tradi-tional gender images and divisions with her artistic, interventionist commentaries.
Gaisbacher spent several weeks in Stanz reflecting from an artistic perspective on a successful participation project initiated in 2016 as part of a local revitalisation.
The photogram depicts a tensioned load securing net made of synthetic material on a scale of 1:1.
As a medium between two-dimensionality and three-dimensionality, the photogram has been part of Kupelwieser’s diverse œuvre from the 1980s until today.
Megaphon is the Styrian street magazine. It reports on cultural events, social initiatives and the lives of people on the fringes of society.
All that remains of Christian Eisenberger’s artistic interventions in nature are photographs.
As a resistance to stereotypes and racism, Maryam Mohammadi produced a series of self-portraits showing herself on a contradictory path to blonde and blue-eyed conformity.
Offener Betrieb (Open Modes) – and before that Probebetrieb (Trial Mode) – took the idea of a collective, dehierarchised, collaborative and open educational situation as their starting point.
The murauerInnen (Murau women) have set themselves the aim of updating role models and the assumptions made about the countryside.