All that remains of Christian Eisenberger’s artistic interventions in nature are photographs.

‘We are not blocking traffic – we ARE traffic!’ is the motto of the Critical Mass participants who ride through the streets of Graz on the last Friday of every month, colourful and loud, with joy and self-confidence, celebrating the most beautiful form of transport in the world.

Eisenberger combines classical subjects of art history, ‘vanitas’ motifs that remind us of the ephemerality of existence, with elements from popular culture.

The posters and videos on this wall show various forms of social activism and protest in the field of environmental and social policy, civil, human and animal rights.

Iris Andraschek’s research into the current topic of care work once again focuses on making social participation visible.

First installed in 2010 for the exhibition Mehrwert (added value) in front of the church in Quartier Leech, the fictitious construction sign marked the public garden with fruit trees next to the church as the building site of a spectacular architecture.

Flea markets, table-tennis rounds, dancing among the plants, knitting, gardening without a garden of your own ... the long, colourful list of socio-cultural activities in the ANNENViERTEL district since 2014 could go on and on.

Samson Ogiamien’s work is a meeting between Beninese bronze art, which has its roots in spiritual, ritual contexts, and Western modern sculptural traditions.